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Open Filters

The SPEED SHOW exhibition series was conceived by the artist Aram Bartholl in June 2010. The basic idea of this exhibition format is to create a gallery like opening situation for browser based internet art in a public cyber-cafe or internet-shop for one night. The exhibition format is free and can be applied by anyone at any place. (See how to instructions)[1]

The SPEED SHOW exhibition format:

Hit an Internet-cafe, rent all computers they have and run a show on them for one night. All art works of the participating artists need to be online (not necessarily public) and are shown in a typical browser with standard plug-ins. Performance and live pieces may also use pre-installed communication programs (instant messaging, VOIP, video chat, etc). Custom software (except browser add-ons) or offline files are not permitted. Any creative physical modification to the Internet cafe itself is not allowed. The show is public and takes place during normal opening hours of the Internet cafe/shop. All visitors are welcome to join the opening, enjoy the art (and to check their email).[1]

Now in its fourth edition, the Gray Area Festival is a unique global event focused on advancing open culture and the common good through holistic innovation and aesthetic practice. Our programming presents a survey of culture through the lens of art and technology, offering a deeper understanding of the present moment along with visions of the trails and opportunities ahead. Held at our Grand Theater in San Francisco's Mission district, the Festival highlights Gray Area's continued pursuit of integrated art and technology applied toward civic, educational, entrepreneurial, aesthetic, and social practice.[1]

CYFEST is one of the largest international media art festivals, it was founded in St. Petersburg in 2007 by independent artists and curators. The festival promotes the emergence of new forms of art and high technology interactions, developing professional connections between artists, curators, engineers and programmers around the world and exposing wide audiences to the works in the field of robotics, video art, sound art and net art.

What's The Wrong?

The Wrong is the largest and most comprehensive biennale celebrating digital art today. A global event aiming to nurture digital culture, open to participation, articulating its contents by means of online pavilions and offline embassy locations worldwide.

What’s The Wrong’s mission?

To create, promote and push positive forward-thinking contemporary digital art to a wider audience worldwide through a biennial event that temporarily gathers an extensive selection of digital artworks, embracing the artists, curators and institutions of today’s exciting digital art scene.

Where does The Wrong happen?

The Wrong happens both online and offline. The online part of the biennale happens in pavilions; virtual curated spaces in any online accessible media where selected artworks are exhibited. The offline part of the biennale happens in embassies; institutions, art spaces, galleries and artist run spaces in cities around the world which feature temporary AFK projects, featuring live performances, workshops, artist talks and exhibitions.

Who’s participating in The Wrong?

A extended team of curators appoint themselves to research and feature what they like best of the new digital art scene today. Artists also appoint themselves to join in the many open formats offered. Since its inception, more than 3.000 artists and curators have officially participated either in the online pavilions, or via its 82 embassies around the world, or both. The Wrong is free to participate and to attend, and mostly everything is one click away.

New Forms Media Society (NFMS) is a non-profit society and media arts organization founded in 2000 that exists to unite creative communities, push artistic and conceptual boundaries, and explore digital media as an art form. By producing the annual New Forms Festival (NFF) as well as a growing schedule of year-round public presentations, we aim to raise the profile of Canadian artists, media arts, underground and subversive arts movements and practices both in Canada and abroad. NFMS is dedicated to showcasing innovative media works that generate a critical and creative discourse within the public sphere.

By promoting Canadian artists in collaboration with the international arts and technology world, New Forms facilitates multimodal art works and engages in discussion on their role in our cultural environment. Since its inception, an integral element of New Forms is the recognition of independent and groundbreaking artists. The New Forms Festival aims to showcase and increase awareness of these artists and their work within our community and beyond by promoting them within a larger milieu.

New Forms Festival is part of a larger, international, multi-media festival movement, which explores the ever changing and evolving world of art and creates a platform for artistic growth. The Society’s goal is to make new media art, music, film, technology-based installation and performance accessible to a wider audience. [1]

ISEA International is a not for profit organisation constituted in the Netherlands. It is managed by a voluntary board who oversee the activities of ISEA International.

The main activity of ISEA International is the International Symposium on Electronic Art (ISEA), an annual gathering of the international art, science and technology community. The symposium includes an academic conference, exhibitions, performances and workshops. It is a nomadic event and is held in a different location every year. [1]

Historically the symposia were held as both a biennial and annual event. As of 2009, the symposium has been held annually again. Nowadays, ISEA is one of the most prominent international events on art and technology around the world, bringing together scholarly, artistic, and scientific domains in an interdisciplinary discussion and showcase of creative productions applying new technologies in electronic art, interactivity and digital media. [2]

Vector Festival Vector Festival 2018 Vector Festival Vector Festival 2017 Vector Festival Vector Festival 2015

Vector Festival is a participatory and community-oriented initiative dedicated to showcasing digital games and creative media practices. Presenting works across a dynamic range of exhibitions, screenings, performances, lectures, and workshops, Vector acts as a critical bridge between emergent digital platforms and new media art practice. Vector Festival was founded in 2013 as the “Vector Game Art & New Media Festival” by an independent group of artists and curators, Skot Deeming, Clint Enns, Christine Kim, Katie Micak, Diana Poulsen, and Martin Zeilinger. From the start Vector Festival was unique in its inclusion of game based work alongside new media disciplines. In 2015 Vector Festival announced that longtime presenting partner, InterAccess, would be taking over responsibility for the festival as part of its regular programming, with members of the original team, Skot Deeming and Martin Zeilinger, returning as Curators. Historically held in February, the fourth annual Vector Festival was moved to the summer to encourage participatory public events and outdoor interventions. [1]

Radical Networks is a conference that celebrates the free and open Internet, with hands-on workshops, speakers, and a gallery exhibiting artworks centered around radio and networking technology. It fosters critical discussion on contemporary issues that include surveillance, the spread of misinformation, ownership of personal data, and the increasing opacity of “The Cloud”.

Radical Networks is also an arts festival that considers networking technology as an artistic medium, featuring works that run the gamut from ethical hacks to creative experiments to live performances. [1]

Sonic Acts was founded in 1994. Over the years, it has established itself as a thematic festival with a strong focus on contemporary and historical developments at the intersections of art, technology, music and science. Each festival edition explores the chosen theme by means of an international conference, a wide range of concerts and performances, exhibitions and screenings, and embraces a broad spectrum of fields, practices and disciplines.

Sonic Acts has developed into an organisation for the research, development and production of works at the intersection of art, science and theory. It also commissions and co-produces new works, often in collaboration with international festivals, arts organisations, funders and other partners. Recent projects include the three-year art, research & commissioning project Dark Ecology, predominantly taking place in the Arctic region, and its globally touring programme Vertical Cinema. [1]

Transmediale Transmediale 2019 Logo

transmediale is a yearly Berlin-based festival and cultural organization that facilitates critical reflection on and interventions into processes of cultural transformation from a post-digital perspective. In the course of its more than 30 year history, the transmediale/festival has turned into an essential event in the calendar of media art professionals, artists, activists, and students from all over the world. [1]

Annually it presents an extensive range of exhibitions, conferences, screenings, performances, and publications to more than 25,000 visitors. In bringing together artists, researchers, activists, and thinkers, transmediale offers new perspectives and approaches on how the digital and a general technological condition has become a factor of influence in practically all spheres of life. The broad cultural appeal of the festival is recognized by the German federal government who supports the transmediale through its program for beacons of contemporary culture. [1]

Since 2011, transmediale’s all-year activities include cooperation projects, networking activities, the Vilém Flusser Residency for Artistic Research, and special events. These activities provide a sustainable structure of feedback, research, and reflection that interacts with the annual festival. As part of this endeavor, the transmediale journal launched in 2016, providing a platform for ongoing reflections, reactions, and discussions in many different forms. [1]