Rewire Festival is an annual international festival for adventurous music, held since 2011 in The Hague, Netherlands. The festival presents a broad program with a focus on contemporary electronic music, neo-classical, new jazz, experimental pop, sound art and multidisciplinary collaborations. It has featured artists such as Laurie Anderson, James Holden, Godspeed You! Black Emperor, Ricardo Villalobos, Arca & Jesse Kanda, Nils Frahm, Animal Collective, Nina Kraviz, and The Field (the band). Venues differ from churches, old factories and abandoned spaces to the more institutional theatres and pop venues. According to Resident Advisor "[The festival] prides itself on musical diversity first and foremost."[1]

V2, Lab for the Unstable Media is an interdisciplinary center for art and media technology in Rotterdam (the Netherlands). V2 presents, produces, archives and publishes research at the interface of art, technology and society. Founded in 1981, V2 offers a platform for artists, designers, scientists, researchers, theorists, and developers of software and hardware from various disciplines to discuss their work and share their findings. In V2's view, art and design play an essential role in the social embedding of technological developments. V2 creates a context in which issues regarding the social impact of technology are explored through critical dialogue, artistic reflection and practice-oriented research.[1]

V2 organizes public programs ranging from exhibitions to workshops, presentations, and community events. These V2events showcase the most exciting developments in the field of art and technology, present V2's research and development, and function as a platform for debate. V2's events offer artists opportunities to present new work to our audience and to exchange ideas with other artists, researchers and technicians. Besides events that take place at V2's venue in Rotterdam, V2 also organizes events at parter institutes and participates in international festivals and symposiums.[2]

V2 has published a number of books on interactive art and related subjects like sociology, media theory, biology, and technological innovation.[3]

Société is an exhibition platform founded in 2015 and situated the former electricity factory “Société Bruxelloise d’Électricité” built in the 1930s in the Tour and Taxi neighborhood. It is initiated, directed and curated by the artist couple Manuel Abendroth and Els Vermang, of the artis trio LAb[au].[1]

As an artist run space, Société pursuits a non-commercial activity, promoting a dialogue between artists on current artistic issues. Through two thematic exhibitions a year, they explore the field of contemporary artistic research while taking into account new forms of artistic expression and new technologies which support them. Their exhibitions contextualize these reflections in an artistic continuity, connecting different generations of artists while also promoting the Belgian scene.[1]

Jan Robert Leegte is among the first artists who were involved in the 90s NetArt movement. Since 1997, he creates art in the form of websites, which he connects to art historical movements such as minimalism, land art and conceptualism. Leegte also translates the themes of his work to offline media such as print, sculpture and projections. A reoccurring theme in his work is the sculptural materiality of interfaces of computer programs. Like the early graphic design of cursors, selection boxes and menu bars that were to give the user the impression of actually physically pressing the buttons with graphic shadows. Leegte often uses these components and by placing them in a new context, giving them their own, sculptural legitimacy. [1]

Sonic Acts was founded in 1994. Over the years, it has established itself as a thematic festival with a strong focus on contemporary and historical developments at the intersections of art, technology, music and science. Each festival edition explores the chosen theme by means of an international conference, a wide range of concerts and performances, exhibitions and screenings, and embraces a broad spectrum of fields, practices and disciplines.

Sonic Acts has developed into an organisation for the research, development and production of works at the intersection of art, science and theory. It also commissions and co-produces new works, often in collaboration with international festivals, arts organisations, funders and other partners. Recent projects include the three-year art, research & commissioning project Dark Ecology, predominantly taking place in the Arctic region, and its globally touring programme Vertical Cinema. [1]