The Palais de Tokyo (Palace of Tokyo) is a building dedicated to modern and contemporary art, located at 13 avenue du Président-Wilson, near the Trocadéro, in the 16th arrondissement of Paris. The eastern wing of the building belongs to the City of Paris, and hosts the Musée d'Art Moderne de la Ville de Paris (Museum of Modern Art of the City of Paris). The western wing belongs to the French state and since 2002 has hosted the Palais de Tokyo / Site de création contemporaine, the largest museum in France dedicated to temporary exhibitions of contemporary art. 
Dedicated to both emerging and established artists from France and around the world, the Palais de Tokyo’s programming is punctuated by thematic and monographic exhibitions, large-scale artistic interventions, and carte blanche invitations to artists who take over the entirety of the space. Each season is accompanied by completely new transformations within the Palais, as artists welcome visitors into the heart of their practice, renewing their relationship to art. 
Open to all disciplines and with the ambition to explore all realms of artistic expression – from performance to fashion to arts and crafts and more – Palais de Tokyo has also developed a cultural program at the intersection of movement, sound, and language, and in 2015 launched the annual “DO DISTURB” festival. 
As the preeminent institution devoted to the art of the United States, the Whitney Museum of American Art presents the full range of twentieth-century and contemporary American art, with a special focus on works by living artists. The Whitney is dedicated to collecting, preserving, interpreting, and exhibiting American art, and its collection—arguably the finest holding of twentieth-century American art in the world—is the Museum's key resource. The Museum's signature exhibition, the Biennial, is the country's leading survey of the most recent developments in American art.
Innovation has been a hallmark of the Whitney since its beginnings. It was the first museum dedicated to the work of living American artists and the first New York museum to present a major exhibition of a video artist (Nam June Paik in 1982). Such figures as Jasper Johns, Cy Twombly, and Cindy Sherman were given their first museum retrospectives by the Whitney. The Museum has consistently purchased works within the year they were created, often well before the artists became broadly recognized. The Whitney was the first museum to take its exhibitions and programming beyond its walls by establishing corporate-funded branch facilities, and the first museum to undertake a program of collection-sharing (with the San Jose Museum of Art) in order to increase access to its renowned collection.
Designed by architect Renzo Piano and situated between the High Line and the Hudson River, the Whitney's new building vastly increases the Museum’s exhibition and programming space, providing the most expansive view ever of its unsurpassed collection of modern and contemporary American art.